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05:35 5-Mar-12 A slide-show of a series of sexual drawings by John Douglas, drawn on toilet paper taken from the toilet in Will Rogers Memorial Park, Beverly Hills, LA; the scene of George Michael’s 1998 arrest for “engaging in a lewd act” in public. The series was extensively researched. Each sex act depicted is drawn from a real-life experience. The toilet paper was sourced directly from the infamous Will Rogers toilets by John Douglas, who undertook a pilgrimage from Australia to LA for the sole purpose of obtaining the materials. The “Caught In The Cottage” series was first exhibited at Signal, in Sydney, Australia in 2004, and was reviewed in SXNews: "The arts component of the Mardi Gras is arguably one of the most popular limbs of the festival every year...exhibitions and installations are mounted as part of the cultural festival that draws attention and often a sizable amount of controversy. This year is an exception to the rule. In 2004, the most challenging and unique exhibition of contemporary art is not actually part of the official line-up itself. It’s not even in a gallery. ...This current exhibition sees Douglas using a relatively untried medium in what can only be described as a unique venue. The exhibition is being held as Signal, the sex-on-premises venue in Darlinghurst... Existing as both a cutting narrative and a humorous look at modern male sexuality, the works in the series are penned on toilet paper from the Will Rogers Memorial Park public restroom in L.A... Using a rudimentary line-sketch technique, Douglas manages to convey the humour of the subject, the images themselves being reminiscent of the type of sexualised graffiti imagery one would expect to find in a well-used public toilet. The use of Signal as the venue for this particular exhibition is subversive, yet quite fitting, and adds to the humorous yet erotic atmosphere of the works. It is not often that an exhibition regarding male sexuality takes place in a venue that, at the very same time, sees men partaking of the activities represented in the works themselves." Music accompanying the slide-show is by George Michael, who apparently also can sing.

A slide-show of a series of sexual drawings by John Douglas, drawn on toilet paper taken from the toilet in Will Rogers Memorial Park, Beverly Hills, LA; the scene of George Michael’s 1998 arrest for “engaging in a lewd act” in public. The series was extensively researched. Each sex act depicted is drawn from a real-life experience. The toilet paper was sourced directly from the infamous Will Rogers toilets by John Douglas, who undertook a pilgrimage from Australia to LA for the sole purpose of obtaining the materials. The “Caught In The Cottage” series was first exhibited at Signal, in Sydney, Australia in 2004, and was reviewed in SXNews: "The arts component of the Mardi Gras is arguably one of the most popular limbs of the festival every year...exhibitions and installations are mounted as part of the cultural festival that draws attention and often a sizable amount of controversy. This year is an exception to the rule. In 2004, the most challenging and unique exhibition of contemporary art is not actually part of the official line-up itself. It’s not even in a gallery. ...This current exhibition sees Douglas using a relatively untried medium in what can only be described as a unique venue. The exhibition is being held as Signal, the sex-on-premises venue in Darlinghurst... Existing as both a cutting narrative and a humorous look at modern male sexuality, the works in the series are penned on toilet paper from the Will Rogers Memorial Park public restroom in L.A... Using a rudimentary line-sketch technique, Douglas manages to convey the humour of the subject, the images themselves being reminiscent of the type of sexualised graffiti imagery one would expect to find in a well-used public toilet. The use of Signal as the venue for this particular exhibition is subversive, yet quite fitting, and adds to the humorous yet erotic atmosphere of the works. It is not often that an exhibition regarding male sexuality takes place in a venue that, at the very same time, sees men partaking of the activities represented in the works themselves." Music accompanying the slide-show is by George Michael, who apparently also can sing.

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